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You can group clips to make them play together, even across scenes.

Since your tracks are defined horizontally, and scene starts can be flexibly positioned, you can do some neat things with organization.

There’s more “time freedom”, so you can visually setup your clips in a manner that makes the most sense to you.

Each cell can have multiple clips (sub-clips), and you can cycle through these.

If you are used to Live or Bitwig there’s some things that you may find particularly interesting: Tolerant mode lets you miss triggering a clip on time and will trigger it anyway in sync rather than waiting for the next quantized time.

When clips are triggered is configurable, so you can set up the trigger sync to quantize your triggering to the next bar, beat divisions, clip length, or a neat ‘tolerant’ mode. It can be one-shot, loop, march modes (goes to the next column on that track) or randomized. There’s multiple ways to control what happens when a clip finishes. If you have multiple clips between markers then everything after the first clip is a ‘sub-clip’, and subsequent presses of that track/scene will cycle to the next ‘sub-clip’ in the scene. A scene is the first clip in the area that defines that scene. You still get cells with clips to trigger.įL also treats scenes a bit differently. Your tracks are still horizontal, but your columns are your “scenes” so to say. You can play these cells on their own or you can trigger a whole row (scene) to play multiple clips together.įLStudio rotates this by 90°. Each cell contains an audio or MIDI clip. In Session MOde a column represents a track, and a row represents a “Scene”.

You are given a grid instead of multiple rows of tracks. In programs like Ableton Live you have what’s called “Session Mode”.